Several
years ago I
talked with artist friends who I
sometimes worked and exhibited with,
about ways of
presenting, showing and exhibiting art, ways of
sharing,
outside of the usual spaces
of art
galleries. In
Edinburgh's
Festival we are used to seeing art everywhere,
performers,
music, visual art, photographs, sculpture, readings and
role
playing on the streets, as well as in buildings so that the line
between art and 'real life' whatever that is, is blurred to such
an
extent that you sometimes feel that just walking along a
street is to
take part in ongoing street theatre, a spontaneous
carnival.
I first saw poems on transport systems when
I first saw poems on transport systems when
travelling on Dublin's Dart train
in the '80s, and I was
delighted when poems of my own were displayed
in
Glasgow's Underground in the '90s, and on Edinburgh's
buses. I've
written about one of our exhibitions in the Blue
Dolphin post here.
And one of the artists has since created a
blog, Forest Dream Weaver, to display her
beautiful
paintings and wall hangings . I particularly like the way she
has teamed up her paintings with photographs from nature,
which has sometimes been the inspiration for her art.
paintings and wall hangings . I particularly like the way she
has teamed up her paintings with photographs from nature,
which has sometimes been the inspiration for her art.
through, but
there are other places where
art can be created
and Le Chemin des Grands Jardins shows the way
Roger
Dautais uses the materials he finds in nature to create land
art. These intricate and sensitive creations may be seen by
few
people, perhaps by none at all, in their own
environment, but many of
us are thankful that he takes
photographs of them so we are able to see them on our
screens, even if we will never see them in their own habitat.
photographs of them so we are able to see them on our
screens, even if we will never see them in their own habitat.
The
image
reproduced with kind permission by Le Chemin
Le témoin bleu de Kermadio pour Dritange |
I was so pleased to have this one dedicated to me that I wrote
the quinta, 5-line poem, below, as a response to it.
comme
des gouttes de pluie rouge
les
baies penchent sur l’échelle de pierres
les
gouttes rouges du temps -
les
plus doux -
s’étendent
vers le bleu, le témoin, l'originel
English version -
drops of red rain,
these berries lean on the sculpture of stone -
red
drops of time are the sweetest –
they stretch up to the blue,
Comments
BTW, I've replied to your comment on my latest post, and have asked you for any books you can particularly recommend by Christian Bobin. I was very struck by this French author and poet when I looked him up just now.
I never quite made it to enjoy this during past trips to the south of France but it deserves more recognition.
And thank heavens for bloggers such as this lady who offers this delightful experience...
http://margaret21.wordpress.com/2013/09/04/le-jardin-extraordinaire-2013-version/
And this? I took a friend there when he was depressed (working on his doctorate in A'dam and burnt out) and the place did its magic...his doctorate was in philosophy...
but while de la Rochfoucauld may tell us "Philosophy triumphs over past and future evils, but present evils triumph over it", in this case, Naif art triumphed over philosophy and all its problems....
I sent him to explore the place by himself so that all the experiences, memories, feelings, words are his own....
sometimes sharing reduces the space an experience occupies within us.
Your words make images a solitary experience (if I so want...)...but still a human experience, not just a recorded space.
Thank you.
Thanks for sharing this!
I hope to show more of your snow scenes when the time is right.Who knows what the remainder of winter has in store for us......
Rubyxx