A
New Notebook
– a piece of travel writing about India, is going to
be published in
an anthology later this year and it's got me thinking
about
what
I've
written about
that journey as
well as the vast
swathes of territory I passed through that I've
written nothing
about.
I would like a seamless and continuous
narrative, but that's not the
way it has appeared. But, heartened by Irena Vrkljan's brilliant
non-narrative autobiography The Silk, the Shears, I feel that
chronological order is not a necessity and so, in no particular order,
I'd like to post what I have already written about that time.
Let's
play with chronology. I'll call these pieces Carnets
(notebooks) even though they are not, strictly speaking, as they
were
written after the event sometimes a long time afterwards. But
then,
every travel writer edits to some extent what they wrote
down at the
time (see the Dubravka Ugresic quote at the top of the
page) as
what's written then
is often just the briefest of notes. And
on this journey east, the carnets
I'd made notes in, were lost. This
forms part of the story A
New Notebook that
will be included in
the
anthology so
I couldn't post
it on the blog anyway, until after it has
been
published.
An
excerpt from Quetta
to Tehran has appeared in Sons of Camus
International Writers Journal
8.
It
begins on the bus going across Pakistan, from Quetta to the
Iranian
border.
Amritsar's Golden Temple - from
http://www.bestourism.com/medias/dfp/2335
David,
an American, had been my travelling companion from Amritsar, in
India. The first leg of our journey had been from the Golden Temple
to the station, where we took a train to Lahore, in Pakistan. The
next stage was to cross Pakistan from Lahore to Quetta, a journey of
a night and a day, in a packed train. As I looked around at my fellow
passengers, I tried to imagine what their reasons for travelling
might be. Many of them looked pursued. Others had expressions of such
utter resignation that I was convinced that some higher authority was
forcing them to travel. Not that it was a grim ordeal. Their faces
were not hard or punished. Mostly they were soft, wide-eyed and
smiling. People seemed to move in waves, they formed a total
movement, a wave complete unto itself. At each station where people
got off and others got on, the wave reassembled itself. Those who got
off formed another wave with those on the platform (there is no such
thing as a deserted station in India or Pakistan, whatever time of
day or night) and they would spill out of the station to join the
city waves, the street waves, with its café clusters, its traffic
swarms, its market streams and rivers.
During
the night, David and I took turns at lying on the wooden
luggage-racks
above the seats. It was the ultimate in luxury, to get
somewhere to lie down.
The dawn was grey. We had to change trains and
there was some confusion
about David's ticket. But we were lucky and
we were allowed to board the
next train. It was dark again, by the
time we reached Quetta.
Quetta - from
We
stayed at the China Hotel, which advertised clean, airy rooms. The
hotel
rooms were all off a central square, which was also the roof
over other
buildings. This was open to the sky so the moment you
stepped out of the
room, you were outside. We certainly could not
complain about the lack of
fresh air. It was early March, and Quetta
is high up in the mountains. We
stayed there two nights. There was no
running water in the rooms but water
was available in a brass pot
left outside the door. Outside the door meant on
the roof, and in the
morning we had to break the ice over the brass pot, to
wash with. Our
ablutions were minimal.
Comments
Rubyxx
M xx